EXPERT'S EDGE


"The greatest barrier to success is the fear of failure"

by:Sven Goran Eriksson

Sunday, January 3, 2010

MECHANICAL CALCULATOR

the principle of action of the mechanism, using the lower sketch.




The input wheels (used for entering of numbers) are smooth wheels, across which periphery are made openings. Counter-wheels are crown-wheels, i.e. they have openings with attached pins across periphery.

The movement is transferred from the input wheel (marked with N in the sketch), which can be rotated by the operator by means of a stylus, over the counter, which consists of four crown-wheels (marked with B1, B2, B3 and B4), pinion-wheel (K), and mechanism for tens carry (C), to the digital drum (I), which digits can be seen in the windows of the lid.


working in this way:

On the counter-wheel of the junior digital positions (B1) are mounted two pins (C1), which during the rotating of the wheel around its axis (A1) will engaged the teeth of the fork (M), placed on the edge of the 2-legs rod (D1). This rod can be rotated around the axis (A2) of the senior digital position, and fork has a tongue (E) with a spring. When during the rotating of the axis (A1) the wheel (B1) reach the position, according to the digit 6, then pins (C1) will engaged with the teeth of the fork, and in the moment, when the wheel moves from 9 to 0, then the fork will slide off from the engagement and will drop down, pushing the tongue. It will push the counter wheel (B2) of the senior position one step forward (i.e. will rotate it together with the axis (A2) to the appropriate angle. The rod (L), which has a special tooth, will serve as a stop, and will prevent the rotating of the wheel (B1) during the raising of the fork.

The wheels of the calculating mechanism are rotating only in one direction. This means, that the machine can work only as a adding device, and subtraction must be done by means of a arithmetical operation, known as complement to 9. This inconvenience can be avoided by adding of additional intermediate gear-wheels in the mechanism.

On the surface of cylinders are inscribed 2 rows of digits in this way, that the pairs are complemented to 9, for example if the upper digit is 1, the lower is 8. On the lid is mounted a plate (marked with 2 in the lower sketch), which can be moved upwards and downwards and by means of this plate, the upper row of digits must be shown during the subtraction, while the lower one—during the addition. If we rotate the wheels, we will notice that digits of the lower row are changing in ascending order (from 0 to 9), while the digits of the upper row are changing in descending order (from 9 to 0).

Zeroing of the mechanism can be done by rotating of the wheels by means of the stylus in such way, that between the two starting spokes (marked on the wheel) to be seen 9 (see the lower sketch). In this moment the digits of the lower row will be 0, while the upper digits will be 9 (or 12 or 20, for sols and deniers) (see the lower sketch).




we will describe a way, which is optimal as number of operations, needed for performing of calculations. To use this way however, the operator must know the multiplication table (during the multiplication operation), and to be able to determine a complement to 9 for digits (for addition and subtraction). This is an easy task even for 8 years old child now, but not for the men of XVII century. Of course, the calculations can be done without 2 upper requirements, but will be necessary more attention and movement of the wheels.

First, let's make an addition, for example 64 + 83. We have to put the stylus between the spokes of the units wheels, against 4 and to rotate the wheel to the stop. In the lower row of windows (the upper was hide by the plate) we will see 4. Then we rotate the wheels of the tens by the same way to 6. Then we have to enter the second addend, 83, and we will see the result, 147, meanwhile one carry will be performed.

The subtraction will be a little more difficult and will require not only rotating, but some mental work. Let's make, for example, 182–93.

After zeroing of the mechanism (to see 000 in the lower windows), the plate of the windows must be moved in lower position and at this moment in the windows can be seen the number 999. Then the minuend is entered as a complement to 9, i.e. the units-wheel is rotated for 7, the tens-wheel for 1, and hundreds-wheel to 8 (the complement to 9 of 182 is 817). As the upper row of digits actually is moved to descending order, thus we have made a subtraction 999-817 and the result is 182 (see the lower sketch).

Subtraction with the Pascaline

Subtraction (first phase)

Then must be entered the subtrahend (93), making a subtraction 182–93 (during rotating of the wheels two carries will happen—during the entering of the units (3), the units wheel will come to 9, and a carry to the tens-wheel wheel will be done, moving the tens-wheel to 7; then during the entering of 9 to the tens-wheel, it will be rotated to 8, and a carry will be transferred to the hundreds-wheel, making it to show 0). So, we have the right result 182–93=089 (see the lower sketch).

Subtraction with the Pascaline

Subtraction (second phase)

It wasn't difficult, but the operator must be able to determine complement to 9 of a number.

To be able to use the fastest way for multiplication, the operator must know (or use) a multiplication table. Let's make the multiplication 24 x 38. First we have to multiply (mentally or looking at the table) units of the multiplicand to the units of the multiplier (8 x 4 = 32) and enter the result 32 in the mechanism (see the lower sketch).

Subtraction with the Pascaline

Multiplication (first phase)

Then we have to multiply units of the multiplier to the tens of the multiplicand (8 x 2 =16), but to enter the result (16) not in the rightmost digital positions (for units and tens), but in the next (the positions for tens and hundreds). This we will have the result 192 (32 + 160) (see the lower sketch).

Subtraction with the Pascaline

Multiplication(second phase)

Then we have to repeat the same operation for multiplication of the units of the multiplicand to the tens of the multiplier (3 x 4 =12) and for multiplication of the tens of the multiplier to the tens of the multiplicand (3 x 2 = 6), entering the intermediate results into wheels of tens and hundreds (12), and into the hundreds and thousands (06). We have the right result (912) (see the lower sketch).

Subtraction with the Pascaline

Multiplication (third phase)

The division with the can be done in the way, similar to the manual division of the numbers—first we have to separate the dividend to 2 parts (according to the value of the divisor). Then we have to perform consecutive subtractions of divisor from the selected part of dividend, until the remainder will become smaller then the part. In this moment we have to write down the number of subtractions, this will be the first digit of the result. Then we have to attach to the remainder (if any) 1 or more digits from the remained part of the dividend and to start again the consecutive subtractions, until we receive the second digit of the result and to continue this operation again and again, until the last digit of the dividend will be used. At the end we will have the remainder of the division in the windows, while the result will be written.

Saturday, January 2, 2010

Five Point Someone: What Not to Do at IIT by Chetan Bhagat

A fun book all the way from the front cover to the back cover. May not be the most well-written book or anything, but if it wasn't for this book, I would not have read any other book. The perfect place for a person to get into the book reading habit.

The Inheritance of Loss by Kiran Desai

Published to extraordinary acclaim, The Inheritance of Loss heralds Kiran Desai as one of our most insightful novelists. She illuminates the pain of exile and the ambiguities of postcolonialism with a tapestry of colorful characters: an embittered old judge; Sai, his sixteen-year-old orphaned granddaughter; a chatty cook; and the cook’s son, Biju, who is hopscotching from one miserable New York restaurant to another, trying to stay a step ahead of the INS. When a Nepalese insurgency in the mountains threatens Sai’s new-sprung romance with her handsome tutor, their lives descend into chaos. The cook witnesses India’s hierarchy being overturned and discarded. The judge revisits his past and his role in Sai and Biju’s intertwining lives. A story of depth and emotion, hilarity and imagination, The Inheritance of Loss tells a story of love, family, and loss.

The Namesake by Jhumpa Lahiri

Jhumpa Lahiri's Interpreter of Maladies established this young writer as one the most brilliant of her generation. Her stories are one of the very few debut works -- and only a handful of collections -- to have won the Pulitzer Prize for fiction. Among the many other awards and honors it received were the New Yorker Debut of the Year award, the PEN/Hemingway Award, and the highest critical praise for its grace, acuity, and compassion in detailing lives transported from India to America.
In The Namesake, Lahiri enriches the themes that made her collection an international bestseller: the immigrant experience, the clash of cultures, the conflicts of assimilation, and, most poignantly, the tangled ties between generations. Here again Lahiri displays her deft touch for the perfect detail -- the fleeting moment, the turn of phrase -- that opens whole worlds of emotion.
The Namesake takes the Ganguli family from their tradition-bound life in Calcutta through their fraught transformation into Americans. On the heels of their arranged wedding, Ashoke and Ashima Ganguli settle together in Cambridge, Massachusetts. An engineer by training, Ashoke adapts far less warily than his wife, who resists all things American and pines for her family. When their son is born, the task of naming him betrays the vexed results of bringing old ways to the new world. Named for a Russian writer by his Indian parents in memory of a catastrophe years before, Gogol Ganguli knows only that he suffers the burden of his heritage as well as his odd, antic name.
Lahiri brings great empathy to Gogol as he stumbles along the first-generation path, strewn with conflicting loyalties, comic detours, and wrenching love affairs. With penetrating insight, she reveals not only the defining power of the names and expectations bestowed upon us by our parents, but also the means by which we slowly, sometimes painfully, come to define ourselves.
The New York Times has praised Lahiri as "a writer of uncommon elegance and poise." The Namesake is a fine-tuned, intimate, and deeply felt novel of identity.

Friday, January 1, 2010

A Suitable Boy by Vikram Seth

Vikram Seth's novel is, at its core, a love story: Lata and her mother, Mrs. Rupa Mehra, are both trying to find -- through love or through exacting maternal appraisal -- a suitable boy for Lata to marry. Set in the early 1950s, in an India newly independent and struggling through a time of crisis, A Suitable Boy takes us into the richly imagined world of four large extended families and spins a compulsively readable tale of their lives and loves. A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy remains the story of ordinary people caught up in a web of love and ambition, humor and sadness, prejudice and reconciliation, the most delicate social etiquette and the most appalling violence.

Midnight's Children by Salman Rushdie

Anyone who has spent time in the developing world will know that one of Bombay's claims to fame is the enormous film industry that churns out hundreds of musical fantasies each year. The other, of course, is native son Salman Rushdie--less prolific, perhaps than Bollywood, but in his own way just as fantastical. Though Rushdie's novels lack the requisite six musical numbers that punctuate every Bombay talkie, they often share basic plot points with their cinematic counterparts. Take, for example, his 1980 Booker Prize-winning Midnight's Children: two children born at the stroke of midnight on August 15, 1947--the moment at which India became an independent nation--are switched in the hospital. The infant scion of a wealthy Muslim family is sent to be raised in a Hindu tenement, while the legitimate heir to such squalor ends up establishing squatters' rights to his unlucky hospital mate's luxurious bassinet. Switched babies are standard fare for a Hindi film, and one can't help but feel that Rushdie's world-view--and certainly his sense of the fantastical--has been shaped by the films of his childhood. But whereas the movies, while entertaining, are markedly mediocre, Midnight's Children is a masterpiece, brilliant written, wildly unpredictable, hilarious and heartbreaking in equal measure.

The God of Small Things by Arundhati Roy

In her first novel, award-winning Indian screenwriter Arundhati Roy conjures a whoosh of wordplay that rises from the pages like a brilliant jazz improvisation. The God of Small Things is nominally the story of young twins Rahel and Estha and the rest of their family, but the book feels like a million stories spinning out indefinitely; it is the product of a genius child-mind that takes everything in and transforms it in an alchemy of poetry. The God of Small Things is at once exotic and familiar to the Western reader, written in an English that's completely new and invigorated by the Asian Indian influences of culture and language.